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“You Can See Everything” and the Nathan Fielder Effect

“It’s technically a documentary,” Naomi Fry says, of Fielder’s new film about Elizabeth Holmes, “but it seems at times more like a philosophical treatise on the knowability of other people.”

Publication and source

PublicationSanalda Haber

SourceThe New Yorker

Published

CategoryWorld

Summary from the source publisher’s news feed.

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